The dancehall star breaks his silence on trolls, toxic Twitter culture, and the manipulation silencing Ghanaian voices — as he prepares to light up the Accra Sports Stadium this December.
Stonebwoy has had enough.
For years, he’s been labelled the “calm guy” in the Ghanaian music scene — cool-headed, reserved, and always diplomatic. But in a powerful and candid interview with Kula on Talk to Kula, the BHIM Nation president made it clear: he’s choosing to speak now — and it’s not up for debate.
“Don’t manipulatively put me in a box just for your comfort,” Stonebwoy said.
“If I choose not to speak, that’s my decision. But when I do speak, respect it.”
In this raw and honest conversation, Stonebwoy didn’t hold back. He tackled social media hate, the toxic evolution of Twitter (X), and the division within Ghana’s music fans — calling it what it is: a culture of ignorance, manipulation, and misplaced hate.
“X Used to Be for Intellect. Now It’s Just Hate.”
Stonebwoy reflected on how Twitter, now rebranded as X, has shifted from a platform for smart dialogue to a digital battlefield of faceless attacks.
“X used to be for the elite — 120 characters to express your mind with clarity,” he said.
“Now it’s insults, hate, and empty agendas. We are losing opportunities to promote Ghana because of that negativity.”
Stonebwoy made it clear he avoids engaging with X because of how often conversations are driven by tribalism, misinformation, and blind loyalty to fan groups rather than facts.
“I don’t talk often — but when I do, I speak truth,” he added. “Don’t silence me just because you’re used to me being quiet.”
“Dragging Me? They’re Dragging Themselves.”
The award-winning artist also addressed the backlash he received earlier this year after performing on DJ Ag’s Y platform — a performance some fans mocked as “below his level” because of its TikTok affiliation.
“They dragged me for performing on a platform that’s now hosting Will Smith and Burna Boy,” he laughed.
“Those who dragged me — they’re dragging themselves. That ignorance is shameful.”
According to Stonebwoy, what started as trolling quickly backfired. The same fans who mocked him had to sit and watch as the platform he amplified grew into a global powerhouse. He urged fans to recognize when someone is doing meaningful work — even if they’re not your “fav”.
Ghana Music Industry: Divide and Mislead
For Stonebwoy, the biggest concern isn’t just the trolling — it’s what it reveals about Ghana’s fractured music culture. The toxic “team” mentality between fanbases creates a cycle of hate where success is never truly celebrated.
“If you’re in Team B and you see someone from Team A winning, it doesn’t take anything from you to say: ‘well done,’” he said.
“The hate is born out of insecurity. If you really hated me, you wouldn’t focus on me 24/7. That’s obsession.”
He emphasized the need for constructive criticism — not destructive comments based on bias or ignorance.
“Say ‘I like this artist more’ — that’s fine. But when you start to criticize, make sure you know what you're talking about. Don’t say ‘I think’ — say ‘I know’ and back it up.”
“This Is Just 0.5% of Me.”
Despite the rise in his public responses, Stonebwoy insists this isn’t a new version of him — just a fraction of the fire he’s always had.
“What you’ve seen is not even 1% of the other side,” he said. “This is 0.5%. I haven’t clapped back. I haven’t insulted. I’ve just spoken.”
His message is simple: stop misreading silence as weakness — and stop weaponizing it when people finally speak up.
Unity Over Agenda
Beyond the drama, Stonebwoy is still focused on his mission: uplifting Ghana through music, education, and conscious leadership.
“I believe in divine purpose. I speak with truth and light,” he said.
“Let’s stop wasting time on hate and spend more time amplifying what’s good.”
He called on fans, critics, and fellow artists alike to move beyond petty trolling and join in building something bigger — a music culture that reflects intelligence, unity, and pride in Ghanaian talent.
A Year of Fire: “The Torcher Season”
Stonebwoy also explained the meaning behind his latest Torcher EP and its blazing symbolism — including the Ankh, which he carried during his performance at the TGMA.
“Torcher sounds like torture, but it’s really about carrying the torch — the fire within,” he explained.
“This year is about realizing that light and letting it burn. It’s not just music — it’s a calling.”
The EP has already hit #1 on Audiomack and continues to inspire fans across the world with tracks like “Overlord” and “Believe in Africa”.
Final Word: "Let Your Light Burn"
Stonebwoy ended the interview with a heartfelt message for fans — especially the youth.
“Whatever you do, do it like it’s yours,” he said. “Serve well. Live well. And let your light burn no matter how dark the world gets.”
📍 BEAM FEST: 10 YEARS STRONG
Mark your calendars: December 26th, 2025, at the Accra Sports Stadium, Stonebwoy returns for the 10-year celebration of BEAM FEST.
If the last one was fire, this one promises to be Torcher-level madness.
“Who hate you tire — your light go still burn.”
👇 Watch the full “Talk to Kula” interview below:
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